Tools

UH 101 Section 003: Survey: Values & Society

Fall 2010

3 Credit Hours
Primary Instructor: Betty Florey
Core Designation: University Honors, Humanities

Office Hours

Tuesdays and Thursdays 9:15-11:30; 3:15-4:45 and by appointment

Prerequisites

From the Student Records System

Prerequisites for this course cannot be retrieved automatically. See the course schedule or any additional notes from the instructor for further information.

This course is for students in the University Honors Program only

Course Description

This seminar will focus on love, war, and global diasporas. In exploring these concepts, we will distinguish among the several meanings of the word, "dialogue."  We will view clips, DVDs, read books, have visiting speakers and create lively discussions. Be prepared for a consciousness-raising experience!

Objectives

At the conclusion of the course, the student should be able to:

1. Examine the role of conversation and the art of dialogue in personal and policial relationships between and among groups and nations.

2. Understand the role of literature, drama, and film in shaping and reshaping personal and public perspectives.

3. Distinguish between nuance and "fact."

4. Analyze Peter Taylor's belief that a sign of remarkable intelligence in a man or in a  woman is when he or she does not judge others "with regard to age or sex or race, but instead merely senses the intelligence of every individual."

5. Write a structured, cogent, and interesting critical essay.

Outline of Topics

Introduction: Dialogue on Love.

Workshop on Writing

Dialogue on War

Dialogue on Global Diasporas

Exams and Assignments

August

Introduction: Dialogue on Love

Dialogue Handout, Discussion, Movie excerpts

Examples of Dialogue: Movie excerpts, Discussion

DVD: The Notebook Discussion

DVD: The Notebook (continued) Discussion

DVD: Splendor in the Grass (William Inge, script) Discussion: Characterization

September

DVD: Splendor in the Grass (continued). Comparison of works. Discussion

Workshop on Writing

Introduction: Dialogue on War

World War One British Poets 1-36 Internet reference required for each point in critical essay due next meeting.

World War One British Poets 37-71. Discussion (Critical Essay on Notebook/Splendor Due)

Copenhagen 3-94 Discussion of atom bomb and the uncertainty principle.

Copenhagen 95-132 and showing of Copenhagen DVD

Copenhagen: Discussion

October

White Light/Black Rain DVD. Discussion

Midterm Exam

Late Thoughts on an Old War 1-47 and DVD: We Were Soldiers

Dialogue exercises due.

Late Thoughts on an Old War 48-102 and DVD: We Were Soldiers (continued)

Late Thoughts on an Old War, Discussion, Guest Speaker

Discussion on Iraq War, Guest Speaker

Introduction: Dialogue in Global Diasporas

Things Fall Apart 13-109

Independent Study Day

November-December

Things Fall Apart 110-209. Discussion. Paper on War due.

The Kite Runner 1-142 Discussion

The Kite Runner 143-272 Discussion

Charlie Wilson's War DVD Discussion

Charlie Wislon's War DVD (continued) Discussion

Billy Elliot, Script of Play Discussion

Billy Elliot, DVD, Discussion

Final Paper Due

Final Exam

Grading Policy

Your reports are due at the beginning of the class period on the day that they are assigned; papers submitted later will have five points deducted.  They must be typed (word processed).  They must have 12 pt. font; be double-spaced; have 1" margins all around; follow MLA guidelines; and be the minimum of the page numbers designated on the percentage chart below--more is fine. You and I will meet one-on-one in my office to discuss your ideas and a thesis for your critical essay paper. Final grades are affected by preparedness, attendance, late or non-submitted papers, plagiarism, marked discrepancy between in-class and out-of-class work. 

Notebook/Splendor Critical Essay (4 pages)    20%  (Midterm Grade)

Dialogue Exercise                                                    20%

Paper on War  (4 pages)                                         20%

Internet references(2 reports per work)                10%

Diaspora/Final Paper                                               30% (Final Exam Grade)

Diaspora/Final Paper: This paper will consist of three parts: 1. A five paragraph essay comparing two works that we've encountered (one work must be from the Diaspora section). Second Choice: you may answer a Five Dramatic Questions sheet with one paragraph per question on a work in the Diaspora section. 2. Three concepts that were new to you or with which you were familiar but gained better understanding through the course. (You may number your answers: 1., 2., and 3.) 3. Discover a theme  in five of the books, poems, DVDs, and discussions we've experienced; in other words, you will deal with five works of your choice and write a paragraph.  Note: We will discuss this format in class; we will also create themes and examples which you might like to use.


Your Internet Reference Folder and Diaspora/Final Paper may be turned in on the last day of class.  The interenet reseach is to give you a broader and more enlightened frame of refernce.

Policy on Missed Exams & Coursework

Please see Grading Policy above.

Attendance Policy

Three absences for any reason are allowed; these absences include illness and pre-holiday cuts. Over-cutting will take 2 points off the final average per time. Over four absences will result in failure to complete the course. Students are responsible for any work and assignments. In exceptional cases missed work may be made up. In-class papers should be considered as exams and should not be missed. Any make-up work is based entirely upon the instructor's discretion.  Make every attempt to stay out of the make-up category. Three tardies will count as one absence.

Required Texts

UA Supply Store Textbook Information

  • BEIDLER / LATE THOUGHTS ON AN OLD WAR
    (Required)
  • FRAYN / COPENHAGEN
    (Required)
  • STONE, RICHARD HENRY / IN AFRICAS FOREST AND JUNGLE:SIX YEARS AMONG THE YORUBAS
    (Optional)
  • ACHEBE / THINGS FALL APART
    (Required)
  • SPARKS / NOTEBOOK
    (Required)
  • HOSSEINI / KITE RUNNER
    (Required)
  • WARD / WORLD WAR ONE BRITISH POETS
    (Required)

  • Things Fall Apart by Chinua Achebe
  • Late Thoughts On An Old War by Phillip Beidler
  • Copenhagen  by Michael Frayn
  • The Kite Runner by Khaled Hossein
  • The Notebook by Nicholas Sparks
  • World War One British Poets by Candice Ward

Extra Credit Opportunities

Read In Africa's Forest and Jungle: Six Years Among the Yorubas by R. H. Stone, Edited by Betty Finklea Florey and  compare to Things Fall Apart.